|Statement||With a foreword by Peter W. Dykema.|
|LC Classifications||ML3830 F37|
|The Physical Object|
|Pagination||xii, 45 p.|
|Number of Pages||45|
The Psychology of Music: A Very Short Introduction (Very Short Introductions) - Kindle edition by Margulis, Elizabeth Hellmuth. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Psychology of Music: A Very Short Introduction (Very Short Introductions).5/5(11). The Psychology Book (Big Ideas) - Kindle edition by DK, Joannah Ginsburg, Voula Grand, Merrin Lazyan, Marcus Weeks, Catherine Collin. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Psychology Book (Big Ideas).Cited by: 3. The aim of the psychology of music is to understand musical phenomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since publication of the first edition of The Psychology of Music, the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology as a result of several factors.5/5(1). It is indeed very short as some concepts and ideas are only explained briefly. This book stimulated my interest in psychology and I can say that i will surely read more books on the subject. Suggested Further Reading: Perspectives on Psychology Eysenck, M. W. Key Studies in Psychology Gross, R. D. Teach Yourself Psychology Hayes, N. /5.
Psychology and Music Diana Deutsch University of California, San Diego the studies of music, astronomy, and mathematics, with the result that the scientific part of approval was given to existing musical practice on numerological grounds, and a new set of boundary conditions for music was established (Palisca, ). Music psychology, or the psychology of music, may be regarded as a branch of both psychology and aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern music psychology is primarily empirical; its knowledge tends to advance on the basis of. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. The psychology of music has had a presence in the Music Faculty since , and was firmly established in with the appointment of Eric Clarke as Heather Professor of Music. Eric Clarke has research interests in the psychology of performance, ecological approaches to music perception and musical meaning, the psychology of musical rhythm.
The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. The book is intended as a comprehensive reference . According to some scholars, the book The Musical Mind: The Cognitive Psychology of Music () by UK psychologist John A. Sloboda () is a landmark publication from the early years of music psychology as an independent scientific field. There are a number of . Last year, Horizon’s fascinating documentary on how music works was one of our most-liked pickings of But perhaps even more fascinating than the subject of how music works is the question of why it makes us feel the way it does. Today, we try to answer it with seven essential books that bridge music, emotion and cognition, peeling away. Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behavior and .